Cast: Saif Ali Khan, Ileana
D’Cruz, Kalki Koechlin, Ranvir Shorey, Govinda, Preity Zinta, Shivani Tanksale
Director: Krishna DK, Raj Nidimoru Music: Sachin-Jigar Writer: Krishna DK, Raj Nidimoru, Sita Menon
Running Time: 136 minutes
‘Happy Ending’ is like an
age old and time tested multi course meal served in a new diner which calls out
the name and necessity (also read as state-of-no choice) of each course before
serving the same. It seems as if the sellers don’t really believe in their
wares, but end up offering the same (albeit packaged differently) acting on the
law of demand and supply. But neither do they fulfill the buyer’s expectation,
nor is their new packaging attractive enough to hold the buyer’s interest!
Yudi Jaitley (Saif Ali Khan)
is a USA based ‘one book wonder’ writer and a casanova. He is phobic of love/marriage
and has thus indulged into a trail of shallow relationships with the opposite
gender. He likes to enjoy his relationships without any strings attached. So,
the moment a girl utters the quintessential ‘I love you’, he mumbles and
fumbles, but never reciprocates the same. Only two steady relationships of his
life are Montu (Ranvir Shorey), his long time BFF and Divya (Preity Zinta), his
ex GF, the one he actually loved. Both are married. Yudi also has a paunchy,
beardy, bespectacled, shorts clad and ever-eating alter ego Yogi who forecasts the impending
turn of events.
Yudi’s free spirited lifestyle
and the state of no new publication since five and a half years, result into
his bankruptcy. While scouting for new assignment, he witnesses a rival writer,
Aanchal Reddy (Ileana D’Cruz) gaining momentum with his publisher. As expected,
in due course of time, their rivalry gives way to attraction and companionship.
But this time, the tables are turned. And Yudi is the one who utters the
magical three words in vain!
Alongside, Armaan (Govinda),
an aging actor visits USA for dual purpose. First – to avail the top notch
cosmetic surgery to attain a younger face and toned up body (read six-pack),
and Second – to approach Yudi to pen down a highly inspired (read copying from
a plethora of hit movies) rom-com that will change Armaan’s status from a
single screen actor to a multiplex actor. And yes, there is also the nutcase
Vishakha (Kalki Koechlin), Yogi’s dentist, who is in love with Yogi and too
mesmerized to break up with him, in spite of him repeatedly trying to do the
same!
As per the movie title, the
protagonist is expected to avail happiness aka success in both love and career.
And the movie progresses on the similar lines.
The movie has a story, but
its execution is not up to the mark. It is a classic case of casting gone
wrong. Also, in spite of good effort, there is no chemistry between the lead
actors. Preity Zinta just plays a cameo in the film and surprisingly there is
perfect chemistry between Saif and Preity. Alter ego concept could have been
made so much interesting, but it comes out as plain vanilla. Saif has been a
pro in playing such roles. But the well settled real life mid forties ‘nawab’ with
his diva like new wife, grown up kids and estates galore, can no more look or
act like a playboy. Music is average and a bevy of singers have been used. The
track ‘G Phaad Ke’ will be a hit amongst the disc goers. Cinematography has
well covered the west coast of America.
Saif looks charming and is
good with comedy. Ileana has acted well. She looks stylish and confidant, in
fact a little too confidant. Kalki appears like a psycho in love. Whether the
role demanded the same, or it was her style of execution, its debatable. Ranvir
and Shivani are OK. Its Preity, who doesn’t try too hard and still brings the
life in the couple of scenes that she is in. Govinda is especially good with
his action-reactions and dancing. While dancing, he simply captures the screen.
But you do miss the ‘connection’ that he had with his co actors in all of his
earlier films. Call it computer wizardry or something else, but the scene
towards the end where Govinda appears with a much younger face, six pack abs
etc. is a pleasant surprise.
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