Cast:
Irrfan Khan, Nawazuddin
Siddiqui, Nimrat Kaur, Denzil Smith, Nakul Vaid, Yashvi Puneet Nagar, Lillete
Dubey, Bharati Achrekar
Director:
Ritesh Batra
From
which point of view, do you review this movie?
A) From
the point of view of a team of leading and influential producers and co-producers
who apparently joined hands to create an Indian movie straight for the Oscars!,
Or, B) From the point of view of a team of very talented crew (director and
actors) who created a simple but touching movie based on a simple mistake!
A)
Over the years, Bollywood has churned out one after the other blockbusters.
Quite a few of them have been sensible enough to be viewed and judged by the
international audience (not just NRIs). But for one reason or the other, they
never made to the Oscars. Either, the makers fell short of marketing, or the
script somewhere fell into the category of ‘inspired’ and not original, or the
movie did not match with the sensibilities of jury, especially how they
perceive the Indian society and what they expect from an Indian movie! Till
date only three Indian movies – Mother India, Lagaan and Salaam Bombay have been nominated for the
Oscars!
‘The
Lunchbox’ has been wisely created nullifying all the aforesaid shortcomings. It
is based on Indian middle class with no sense and/or need of daily grooming,
cinematography totally focuses on dusty and cluttered habitats, Indian
camaraderie, emotions and ethics have been highlighted. Also, there is no song
and dance in the movie. Last but not the least, Mumbai ‘dabbawallas’ play an
important part in the movie. This service is well recognized internationally,
all thanks to their meeting with Prince Charles and a Harvard University team.
The former met them during one of his Indian visits and the latter did a
research on their impeccable service, so as to incorporate it as a case study
in their study material.
Just
to let you know, seventeen producers and co-producers are attached with this
movie!
B) Ritesh
Batra has created a beautiful movie wherein, throughout the camera is focused
on only three main characters and a voice! It is no mean feat to achieve. You
can also call this movie a ‘Song of the Unsung Heroes’, the heroes being –
hands on housewives who spend major part of their day doing the household
chores and also battle with their loneliness, hordes of 9 to 5 job holders who
keep up with the same mundane routine years upon years without any complain and
any expectation or longing of change, and gallons of home cooked fresh food
which keeps the nation going and plays an important part in keeping family and
friends together.
Irrfan
Khan is simply superb. No words can explain his amazing range of acting and
timing. The movie requires him to transform from a lonely and aloof person who
barely converses and never smiles to a hopeful and semi attached person who
randomly smiles and takes mild interest in other people’s lives. And you can
see this gradual transformation frame by frame and not for a single moment you
feel bored of seeing him and his myriad expressions. Nawazuddin Siddiqui
has come across well as an eager and happy-to-please employee who speaks more
than he actually works. His exuberant acting has very well complimented the detached
one of Irrfan Khan. Nimrat Kaur is a revelation. You cannot believe that she is
the same girl who appears in the Cadbury Dairy Milk – Silk commercial.
It is an interesting
observation, that how a simple wrong delivery of a Lunch Box can spark joy and
hope in the lives of the sender as well as the recipient. At the end of the
day, we all just seek to be ‘wanted’, even if it is for the food we make or the
appreciation that we show towards a well made food by happily cleaning off the
plate.
Random relationships
are differently judged by different people belonging to different cultures and
state of advancement. Maybe for this reason, this movie has an abrupt ending.
Or, you can say that the ending is left on the viewer’s imagination. Perhaps,
this is to keep peace with both the home as well as the international audience.
It needs to be
mentioned that, as per recent news, for
the 86th Academy Awards i.e. Oscar entry for 2014, a Gujarati
Film ‘The Good Road’ has been submitted by India, making it the first film in
the language.
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